Level 1: Functional Spread Voicings
This is how you start. You follow a set of rules and guidelines to understand how the technique works.
for adult jazz learners who struggle to play jazz
You’ve watched dozens of YouTube tutorials, read popular jazz theory books, and even tried a few courses, but you still can’t play the real, authentic jazz you want to play.
You practice the drills and exercises, but the moment you sit down at the piano, it sounds nothing like the jazz you hear all over the internet.
The effort you put in doesn’t match the way you play, and jazz starts to feel like a complex puzzle you just can’t crack.
You keep learning more theory, concepts and techniques, but you end up with more and more pieces and no idea how they fit together.
You hear great jazz pianists, with chords that sound rich and connected and improvisation that sounds like musical thoughts instead of random notes, playing on a completely different level, and it just makes you wonder…
You see, the problem isn’t necessarily that you haven’t studied enough jazz theory, or that you haven’t practiced enough exercises.
It’s that there’s a crucial difference between learning ABOUT jazz…
…and learning how to actually PLAY it.
So how do you go from learning about jazz to actually playing it?
That’s what my jazz teacher told me in our first few lessons. It changed how I approached learning jazz, and it changed the way I teach my students now.
Pretty simple, right?
But I didn’t always know that. When I first started learning jazz, I spent about 2 years going through the exact same things you’re going through now.
I’m Charlie Tran, a jazz pianist and teacher. I’ve helped over 100 adult pianists learn jazz through my methods, and over 200 more through my Academy.
And here’s what’s interesting about this approach: the deeper you understand one single technique, the more you understand jazz as a whole.
So every new concept builds on what you already know, which makes the next one easier to learn.
It’s like a snowball effect.
But it all starts with choosing the right concept to focus on first.
If you mostly want to play jazz piano for yourself, I’d start with the technique that’s actually meant for playing solo…
It turns one piano into a whole ensemble, so you play the melody, the bass, and rich harmonies in between, all at once. It’s quite easy to get into, and it was one of the first techniques my teacher showed me.
There’s just one problem…
The voicing you play depends on the melody note, the bass note, the chord, the register of the keyboard, and the musical context.
Combine it all and you end up with thousands of different voicings. A lifetime wouldn’t be enough to learn them one by one.
So what you actually need to do is simply understand how those voicings work and how to choose which notes to play.
And to help my private students do this without feeling overwhelmed, I created my…
It makes it simple and intuitive to learn these voicings, understand how they work, and use them to play jazz.
Take a lead sheet of your favorite jazz standard.
Check the melody note and the chord type.
Follow the intuitive instructions and guidelines to know exactly which notes to hit to play the spread voicing you need.
I’ll show you the whole process step by step on real jazz standards, and we’ll also look at some of the unique exceptions.
And because Spread voicings can be as simple as a few chord tones, or as advanced as all sorts of extensions and alterations, I divided the system into 3 levels.
This is how you start. You follow a set of rules and guidelines to understand how the technique works.
That’s where you discover more “Jazz Authentic” voicings that use all kinds of colorful extensions, and more ways to arrange the notes within each chord.
You’ll learn those rich, sophisticated, harmonically advanced sounds that make you stop and think, “That sounds like jazz.” You learn advanced alterations and different ways to voice each chord, and this is where things really become your own.
I designed this system to give you a simple starting point, and to gradually take you from following guidelines to:
And through all 3 levels, you play the same 12 jazz standards, so you can literally hear your progress every time you move up a level.
I created this system for my private students, but not everyone has time to learn with a teacher.
So I made it accessible to everyone who wants to improve their jazz piano playing, at their own pace, inside…
One ever-growing library with everything you need to learn jazz, so you never wonder what to learn next, how to practice, or where to find the right information.

My full 3 Level Spread Voicing System, in 6 full courses: one for Functional, four for Authentic, and one for Pro Authentic Spread Voicings.

The fundamentals of jazz and music: the scales, the essential jazz chord types, how to practice them, and how to build your practice routine.

More specific jazz fundamentals: essential tones, shell voicings, the most common jazz chord progression, rhythms and comping patterns. Then I walk you through 11 tunes and show you how to apply it all to real jazz music.

Play rich, full-sounding jazz chords with just one hand, so you can comp through tunes while playing the melody with the other.

Great ways to fill the gaps in the music with colorful runs.

Your go-to resource for concepts that apply to multiple techniques. Whenever something deserves a closer look, I point you to the relevant lesson inside this course, so you see how it all fits together.

Our private community. If you have a question, or something doesn’t quite make sense, just drop it in. I’m always happy to help.

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The Academy isn’t for everyone, and I’d rather you find that out now than after you’ve joined. So let me be straight with you.
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The Academy isn’t fully finished yet. There are dozens of courses I want to add, but there’s already plenty to start working through right away.
Every new course leads to what I call the four stock styles, the main ways jazz pianists divide things between their hands:
Bass in the left hand, melody or improvisation in the right
Bass in the left hand, comping in the right
Comping in the left hand, melody or improvisation in the right
Spread voicings
The more comfortable you get with all four, the more freedom you have when playing tunes, improvising, or accompanying other musicians.
You don’t have to wait. One payment gets you lifetime access, so you can start today while I keep adding courses.
If you’re ready to stop jumping from one concept to another and start playing real jazz, get started below…
No subscription. Every future course included.
Join Novu Jazz AcademyAlready bought my mini-course samples or the arpeggio course?
Email charlie@novujazzacademy.com and I’ll give you a discount code for what you’ve already paid.
“[BIG TESTIMONIAL]”
If you can already play a jazz standard or two, with the melody in your right hand and 7th chords in your left, you’re ready. Just starting out in jazz? Begin with Jazz Piano Prep 1 and 2.
Not yet. There are dozens of courses I want to add, but there’s already plenty to start with, and every future course is included.
For life. It’s a one-time payment.
Play as many jazz standards as you can. The same voicings keep showing up across different tunes, and the more you repeat them, the more they feel like second nature.
Drop it in The Café, our private community. I’m always happy to help.
Yes. If you’ve bought my mini-course samples or the arpeggio course, email charlie@novujazzacademy.com and I’ll give you a discount code for what you’ve already paid.
If you’re tired of jumping from one concept to another without knowing what to focus on, this is exactly why I created Novu Jazz Academy: a place to learn the essential jazz concepts, understand how they connect, and build the skills to actually play real jazz.